Untitled #1 and Hoodie Self Portrait

Malcolm Corley

2019. Gouache on paper.

Corley’s paintings often take the form of self portraits, including adaptations of selfie photos. Corley works in this format often, and the painterly traces of his hand in the renditions of himself suggest an authorial voice and perspective. These expressions of point of view in Corley’s paintings, which might be thought of as rituals of self-representation, in the context of living as a non-speaking man.


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